His research is based on the verification of exhibition systems that result themselves as artistic processes. Oscillating between modernist utopia and post-modern consciousness, he stages exhibition mechanisms devoid of absolute certainties, experimenting with a participatory approach. Drawing has always accompanied the process of image formulation. He has been exhibiting in Italy and abroad since 2003, including: Two: numbers are not important, 2021, Galleria Marie-Laure Fleisch, Brussels, Belgium; Avrei brio, 2021, Casa degli Artisti, Milan; Rec, 2020, progetto video Sky Arte, Gamec, Bergamo; Tic! Tic! Toc!, 2020, Spazio C.o.s.m.o, Milan; Bodies on stage, performances from home in the time of quarantine, 2020, Museum of Modern and Contemporary Art, Rijeka, Croatia; Ventiduemilanovecentodiciannove, 2019, Surplace art space, Varese; Nimbo o aureola quadrata e disegno di Watteaux, 2019, Ex Elettrofonica, Rome; Profili del mondo, Biennale del disegno, 2016, Museo della Città, Rimini; Vitello tonnato, 2016, Plutschow Gallery, Zurich; The Belle of the ball, 2015, Museo d’arte contemporanea, Lissone; I love you on the stage, 2014, O’ space, Milan; Drawing for Lightnings, 2014, Kunstraum t27, Berlin; Arimortis, 2013, Museo del 900, Milan; Prototipo di macchina per la conquista del mondo, 2012, Fondazione Pescheria Centro Arti Visive, Pesaro; A ruota libera, 2011, MAXXI Museo delle Arti del XXI secolo, Rome.